Yet, despite the proliferation and accompanying mutation, the original source retains its fascination and its unique identity. In that near half-century, the root has grown stronger, and spread rhizome like into new fields, fresh shoots appearing not just in jazz but in the likes of rock and noise. Sir Richard Bishop, Solo Acoustic Volume Eight (VDSQ)Īs I write, it is 46 years to the day since John Coltrane’s death. Hallock Hill, Kosloff Mansion (Hundred Acre Recordings)Ģ4. John Chantler, Even Clean Hands Damage The Work (Room 40)Ģ3. Rhodri Davies, An Air Swept Clear Of All Distance (Alt Vinyl)Ģ0. Peter Brötzmann & Jason Adasiewicz, Mollie’s In The Mood (Brö)ġ9. Robert Curgenven, SIRÉNE (Recorded Fields)ġ8. Jenny Hval and Susanna, Meshes Of Voice (Susanna Sonata)ġ7. John Edwards, Mark Sanders and John Tilbury, A Field Perpetually At The Edge Of Disorder (Fataka)ġ6. Duane Pitre and Cory Allen, The Seeker And The Healer (Students Of Decay)ġ4. The Inward Circles, Nimrod is Lost in Orion and Osyris In The Doggestarre (Corbel Stone Press)ġ3. Skogen, Despairs Had Governed Me Too Long (Another Timbre)ġ1. Lawrence English, Wilderness of Mirrors (Room 40)ġ0. Oren Ambarchi, Quixotism (Editions Mego)Ĩ. Zeitkratzer, Metal Machine Music (Karlrecords)ĥ. Ian William Craig, Turn Of Breath (Recital)Ĥ.
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